By Ally Condie
Are you able to listen Atlantia breathing?
For so long as she will be able to keep in mind, Rio has dreamt of the sand and sky Above—of existence past her underwater urban of Atlantia. yet in one second, all her plans for the long run are thwarted while her dual sister, Bay, makes an unforeseen choice, stranding Rio less than. on my own, ripped clear of the final one that knew Rio’s real self—and the strong siren voice she has lengthy hidden—she has not anything left to lose.
Guided by means of a perilous and not likely mentor, Rio formulates a plan that results in more and more treacherous questions about her mother’s dying, her personal future, and the complicated procedure built to control the divide among land and sea. Her existence and her urban rely on Rio to hear the voices of the previous and to talk long-hidden truths
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335. : The writings of Henry D. Thoreau. Journal. Volume 6: 1853. Hg. von Robert Sattelmeyer. Princenton 2000, S. 22 (21. März 1853). 52 Woźniakowski, Jacek: Die Wildnis. Zur Deutungsgeschichte des Berges in der europäischen Neuzeit. Übersetzt von Theo Mechtenberg. Frankfurt 1987, S. 132. 53 Vgl. Kurz, Gerhard: Metapher, Allegorie, Symbol. 6. Auflage. Göttingen 2009, S. 8–9. 54 Weinrich: Sprache in Texten, S. 277–278. 2 Gipfelmetaphorik und Bergsymbole: Sprachlich-literarische Bergbilder 39 Wie haben Bergbilder den Weg in Literatur und Sprache gefunden?
Nur Moses darf auf dem Berg Sinai, wo die zehn Gebote verkündet werden, Gott gegenübertreten. In diesem Zusammenhang wird der Berg zu einem Ort der Offenbarung Gottes. Der Aufstieg in diese göttliche Sphäre gleicht dem Betreten einer Schwelle in einen für das Göttliche reservierten Raum und stellt einen Übergang vom Profanen zum Sakralen dar: Höhe und Tiefe sowie Berg und Tal treten häufig als Gegensatzpaar auf. Getrennt werden sie durch eine imaginäre Grenze, bedingen sich aber letztlich gegenseitig, wie Nietzsche zum Ausdruck bringt: »Woher kommen die höchsten Berge?
Rugafiori. Band 3. Paris 1996, S. 388–392, hier S. 388. 108 Petrarca, Francesco: Epistolae de rebus familiaribus IV I. : Edizione nazionale delle opere di Francesco Petrarca. Hg. von Vittorio Rossi. Band 10: Le Familiari. Band I: Introduzione e libri I–IV. Florenz 1968, S. 153–161, hier S. 156. « Petrarca, Francesco: An Francesco Dionigi von Borgo San Sepolcro in Paris. Die Besteigung des Mont Ventoux. Übersetzt von Hans Nachod und Paul Stern. : Dichtungen, Schriften, Briefe. Hg. von Hanns W. Eppelsheimer.