Mainstreaming Sex: The Sexualisation of Western Culture

From cyber porn to striptease tradition, this trailblaising e-book uncovers the shockingly interesting new ways in which western society is being sexualized. We don't have an understanding of how a long way the 'pornogrification' of tradition has reached - this booklet does and discusses it graphically yet responsibly. Media curiosity during this topic is huge."Mainstreaming Sex" uncovers the numerous influence, hitherto purely part glimpsed, that striptease tradition is having on our media, relationships, academic and dealing lives. it's a welcome and masses wanted book.Western tradition is displaying its fascination with intercourse in new, frequently brilliant methods. Pole dancing is a kind of hold healthy, porn stars locate paintings as soreness aunts, pornography itself is simply 'a mouse click on away', and get in touch with intercourse, e-mail affairs and cybersex are actually a part of our daily lives. This sexualization of recent tradition is the topic extensively mentioned here.In unique chapters, the members confront the truth that during all points of social and cultural lifestyles, intercourse is being 'mainstreamed'. They discover movie, print and on-line pornographies; representations of masturbation in movie and tv, supersexualized advertisements, and challenge web page sex.

They additionally research younger people's perspectives of intercourse in mainstream media; women's use of sexual media in the house; and, pole dancing as workout and function and 3rd wave feminism and the sexualization debate.

Feona Attwood teaches Media and conversation reports at Sheffield Hallam college. She has released commonly on intercourse and the media. She is at the moment engaged on debatable pictures, discovering and educating sexual media and on-line pornographies.

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Extra resources for Mainstreaming Sex: The Sexualisation of Western Culture

Example text

The narration lays out the particular power game Amanda likes to play, amusing herself as she arouses and embarrasses the check-out 30 MAINSTREAMING SEX boys. ’ The references to shame and humiliation are a way of bringing bodily experiences to the fore and they dramatize the reversibility of physical sensations: just like the check-out boys, Amanda is embarrassed and aroused. The story’s erotic power depends upon the reversals of power and of bodily affect – the physicality of the body in all its relations to the social – so that shame brings a sensitivity and intensity to the sexual scene.

To be ‘someone’ one must be seen 14 MAINSTREAMING SEX to be, on the screen of a television or computer monitor. So, why not combine in one moment these two means of self-authentication, sexuality and public display, by making and exhibiting an image of yourself having sex? By holding up the mirror of mediated representation people are able to see themselves and thus prove themselves as sexual subjects. If, as Linda Williams (1989) has argued, hardcore demonstrates the truth of other people’s sexuality, the next logical step is that realcore demonstrates the truth of one’s own.

Commentators such as Barcan (2002), Jacobs (2004) and Messina (2006) attest that amateur, reality porn is produced by people who have a much wider range of sexual identities than is the case in the established industry. Its makers are male, female, gay, straight, polyamorous and monogamous. Jacobs (2004) divides the material into a number of broad categories. There is ‘peer-to-peer porn’, which she argues works on the model of a mutually developing sexual interaction, as individuals share, exchange and collaborate with peer communities.

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