Sanctioning Modernism: Architecture and the Making of

Within the many years following international struggle II, sleek structure unfold all over the world along elevated modernization, urbanization, and postwar reconstruction—and it will definitely received frequent recognition. yet because the boundaries of traditional conceptions of modernism grew to become obvious, smooth structure has come below expanding feedback. during this number of essays, skilled and rising students take a clean examine postwar sleek structure by way of asking what it intended to be "modern," what position glossy structure performed in developing glossy identities, and who sanctioned (or used to be sanctioned through) modernism in architecture.

This quantity offers targeted case reviews of recent structure in 3 realms—political, non secular, and domestic—that handle our very essence as people. numerous essays discover advancements in Czechoslovakia, Romania, and Yugoslavia and record a modernist layout tradition that crossed political obstacles, reminiscent of the Iron Curtain, extra quite simply than formerly imagined. different essays examine a variety of efforts to reconcile the troubles of modernist architects with the traditions of the Roman Catholic Church and different Christian associations. And a last staff of essays appears at postwar homebuilding within the usa and demonstrates how malleable and contested a twin of the yank domestic used to be within the mid-twentieth century. those inquiries exhibit the boundaries of canonical perspectives of contemporary structure and display as a substitute how civic associations, ecclesiastical traditions, person shoppers, and others sought to sanction the varieties and concepts of recent structure within the provider in their respective claims or wants to be glossy.

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Additional info for Sanctioning Modernism: Architecture and the Making of Postwar Identities (Roger Fullington Series in Architecture)

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Such a blanket claim is especially easy to make in the context of architecture, in which modernism simultaneously had the connotation of an instrument of social modernization, a mode of cultural production, and a means of ideological representation. ⁴ In the critical formative decade of the 1950s, the Yugoslav Communist leadership formulated a new political and economic system of socialist self-management, based on an allegedly more authentic interpretation of Marxism, and gradually released its iron grip over cultural production.

Equally important, the shift from cvartal to microraion was propelled also by the need, frequently expressed in the contemporary literature, to build a new city in striking contradistinction to the old one. To that end, the cvartal was still too closely bound to the structures of the old city to satisfy the search for a fully expressed new urban condition. In the early 1960s, the planning of the microraion increasingly emphasizes the autonomy of the residential buildings from the street, arranging them instead according to criteria (such as sun exposure, views, and quality of experience inside the microraion) that no longer take the surrounding city into account.

The important differences regarding the typology of the workers’ housing between the 1935 Master Plan and the 1952 Resolution are key in understanding the socialist architectural agenda: while the first insisted on the single-family house with its individual plot of land and the swaying importance of private property, the second advocated groups of industrially produced residential blocks and collective spaces. In both cases, however, housing was seen as having the power to transform the mind-set of its inhabitants and therefore the structure of society as a whole.

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